Children don’t always have the language for what they feel.
They might sense emotions rising and growing difficult to control — anger, jealousy, fear, embarrassment — but when asked what’s wrong, the response is often silence, a shrug, or a temper tantrum — behaviour that speaks louder than words. Their inability to express their emotions adds to their frustration and feelings of being overwhelmed. So how do you help children process big feelings? One answer is through fiction. Fictional stories, anything from fairy tales to real-life drama, help children to work through their emotions.
Talking directly about emotions can make children feel exposed. This is why they so often clam up, and we, as caregivers, feel unable to help. Too often, our probing questions, while born out of concern, only cause more anxiety in a child. Stories give kids something to hide behind. They create a layer of safety for children; children recognise their own problems in fictional characters who are dealing with similar pressures and learn how to cope with them by observing how they act. They help them identify and deal with emotions they cannot define. By ensuring your kids have a wide range of stories to hand, you can help in the process of dealing with overpowering emotions.
Psychologist Lev Vygotsky argued that children learn best when ideas sit just beyond what they can do alone, but are supported by context and meaning. This is the Zone of Proximal Development, or optimal area of learning, where a student can perform tasks with help from a "more knowledgeable other," a teacher or peer, that they cannot yet do alone. It bridges the gap between current independent ability and potential development, often utilizing scaffolding to advance skills. By reading how fictional characters cope with their feelings and solve their difficulties, the kind of scaffolding supplied by that more knowledgeable other is provided by a character in a book.
When feelings belong to a character, children can explore them without feeling interrogated or corrected. Recognising that “He was scared” or “She felt left out” is often the first step towards understanding those feelings in themselves. What’s more, when reading with a parent or caregiver, a child can safely test how their own emotions are received behind the mask of talking about a character from the book they are sharing.
When characters feel real — imperfect, unsure, impulsive — children recognise themselves.
Think of Matilda, navigating loneliness and injustice, or Winnie-the-Pooh, whose worries and gentle anxieties feel deeply human. Even Harry Potter spends much of his story confused, angry, and overwhelmed — feelings that children understand well.
These characters don’t get everything right. That’s precisely why they matter; children read about others who make mistakes and realise that they are not alone. By following the characters’ journeys, seeing how they win through, children understand that they will get through their problems and feel safe.
In his book Emotional Intelligence, Daniel Goleman described how self-awareness, self-regulation, self-motivation, and empathy are more critical to personal and professional success than traditional IQ.
Stories offer repeated, low-pressure exposure to emotional vocabulary. This helps children to recognise and name emotions in context.
Instead of being told “Use your words”, children witness characters in stories who:
Feel jealous and act rashly
Feel scared and seek reassurance
Feel ashamed and make amends
Over time, children absorb the language and the patterns — not through instruction, but through empathy.
One of the most powerful moments in shared reading is when a child suddenly says:
“That’s like my school.”
“I felt like that once.”
“She hurt his feelings.”
These moments don’t need fixing or explaining. They need space so the child can work through powerful feelings at his own pace.
In school-based stories, especially, familiar settings lower the emotional load. Children can focus on feelings rather than decoding the environment, which is why everyday classroom fiction, including series like Knotty Street School, can be such a strong emotional bridge. When a character struggles with fitting in, losing control, or wanting to be liked, children don’t feel alone with those thoughts — they realise that other kids just like themselves are struggling with these problems.
Fiction doesn’t need to solve emotions. It needs to show that:
Feelings are allowed
Mistakes can be repaired
Growth happens gradually
A character who calms down, apologises, or tries again offers a blueprint — not a lesson. Children borrow courage, empathy, and resilience from these fictional companions long before they can articulate what they’ve learned.
Image by prostooleh on Freepik
When characters feel real, children carry them into real life.
They replay scenes in the playground, echo dialogue in moments of frustration, and remember how someone else coped when things went wrong. In doing so, they quietly practice emotional understanding — safely, imaginatively, and at their own pace.
Stories don’t demand emotional readiness.
They wait for it
If you’d like to explore the ideas in this post in more depth, the following resources offer thoughtful research and practical insight into children’s emotional development through stories:
British Psychological Society
Articles and guidance on children’s emotional development, behaviour, and wellbeing, grounded in current psychological research.
(Search: “children emotion development fiction” on the BPS site)
Center on the Developing Child
Research-based explanations of how children develop emotional regulation, empathy, and resilience — useful for understanding why stories are such effective learning tools.
(Harvard University – developingchild.harvard.edu)
Matilda by Roald Dahl
Explores injustice, loneliness, and resilience through a character many children deeply identify with.
Winnie-the-Pooh by A. A. Milne
Gentle stories that naturally model anxiety, friendship, reassurance, and emotional acceptance.
Harry Potter and the Philosopher’s Stone by J. K. Rowling
Shows fear, anger, belonging, and moral growth within a familiar school setting.
Knotty Street School series
School-based stories that reflect everyday classroom emotions — fitting in, feeling overlooked, losing control, and learning how to put things right — offering children a safe mirror for real experiences.
When sharing stories with children, try leaving space for discussion at the end rather than asking direct questions. A simple “That was interesting, wasn’t it?” often invites far richer reflection than the more challenging “How did that character feel?”
If you’d like to learn more about the benefits of fiction stories and how to use them when playing or teaching children, please leave a comment below. You’re also very welcome to share your own tips for using stories to support early literacy, language development, and learning in the classroom or at home.
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I'm delighted to share the launch of Poppy’s Pocket Dragon First Day at School, the first title in the Knotty Street School Series.
Perfect for early readers, from 7 to 9 years, and for reading aloud together, this warm and funny story follows Poppy and her very small (and slightly cheeky) dragon as they navigate big feelings, friendships, and first-day worries.
As children read the series, they come to realise that everyone has anxieties about different things — and that by supporting one another, they can work through them and have fun at the same time.
If you’re looking for a gentle, reassuring story that opens up meaningful conversations at home, I’d love for your family to check it out.